London Course Info
Teachers:
Stephanie Raia - stephanie.raia@kcd.org
Pat Mulloy - patrick.mulloy@kcd.org




This course is designed to take the classroom outside into London.
As a historical focal point and a modern metropolitan city, London can serve as an incredible classroom.
During our twelve week trimester in the winter of 2006-7, students will work with Ms. Raia and Mr. Mulloy to complete an intensive study of the history and lierature
Students will be expected to:
• Read primary and secondary source
material
• Write extensively on various topics including literature, history and
film
• Conduct independent research will in London and America
• Compose a research paper due at the end of the school year
• Keep a travel journal while in England
******
A General Syllabus
Week 1 - Roman Conquest and the establishment of Londinium—
• Peter Ackroyd’s London—selected chapters
•
How did the Romans view London? (Simon
Schama & Edward
Rutherford)
•
Why did they “give up” the city?”
Weeks 2 & 3 - Medieval London
Weeks 3 & 4 - Elizabethan Era
Weeks 5 & 6 - Age of Enlightenment and Romanticism
• Architecture of “modern Paris” and “medieval London”—after
the Great Fire of 1666 London rebuilds, but decidedly rejects the new modern
plan of Paris
•
Poetry of Swift “Description of City Shower,” “Description
of Morning”
•
Keats “Ode on a Grecian Urn,” “Ode to a Nightingale,” “On
Seeing the Elgin Marbles”
•
Wordsworth “London,” “Composed Upon Westminster Bridge,” “Tintern
Abbey”
Weeks 7 & 8 - Victorian London
• Dickens’ novel ???
•
Social political and historical issues—Peter Ackroyd—issues of
London’s poor
•
Oscar Wilde play: The Importance of Being Earnest—discussion of the “idle
and rich” Victorian lifestyle
•
Matthew Arnold—“Dover Beach”—in Poets’ Corner
Weeks 9 & 10 -
WWII London
• T.S. Eliot’s “Wasteland’
•
Auden—“Musee des Beaux Arts” –in Poets’ corner
•
Dylan Thomas—“Do Not Go Gentle into That Good Night”—in
Poets’ Corner
•
Life under siege of Nazi air raids
•
Churchill
Weeks 11 & 12 - Contemporary London
• Readings from Ackroyd’s London
•
How and why has the once former empire of London/England moved to the capital?
•
How has London’s society changed and diversified with this influx? (Salman
Rushdie's The Satanic Verses)
•
How are traditional London neighborhoods affected by this influx?
•
How is this new city represented in film and literature? (Geoff Nicholson,
Ian McKewen, Martin Amis and the Brit-Lit 'enfant terrible')
•
What is the status of the new Muslim minority in London? (Film Dirty,
Pretty Things)
•
Punk Music
Art and historical studies
• Online and research based analysis of Tate Modern, Britain and National
Gallery collections
•
Online and research based analysis of British Museum’s collections
* Thanks to Mike Spillman for his help in constructing this syllabus